WE WILL NOT BE UNDERSTOOD
Showing posts with label Heidegger. Show all posts
Showing posts with label Heidegger. Show all posts

Wednesday, January 12, 2022

Metaphysics, the Self, the gods, some stories

keywords: metaphysics, Huxley, genes, emergence, chaos theory, religion, gods, simulation theory, the universe, the self, Being, Kant, Camus, Heidegger, Descartes, explanations, science


Science is (and maybe just “humans are”) in the business of providing explanations for the seen by invoking the unseen, but it does a terrible job at explaining the sensation of “the self.” 


One of the most peculiar and astonishing things about existence is that we are something rather than nothing. This feeling strikes some more clearly when looking at the stars, or staring in the mirror, wondering “why am I this one?” But other times it might grab you at the strangest moment, in the middle of a conversation with friends, or looking at your hands in the shower. It is the mystery of Being (see: Heidegger) that haunts us and blesses us at all times, and which lies beneath the horizon of all understanding. It is also completely wrapped up in the mystery of the “self,” namely, why should I get to exist at all? I understand that from this brain of a billion neuro-processes, after chaos theory takes hold there emerges a higher subjective experience known as “consciousness” that seemingly hovers around that body, independent from its causal basis. A separate tier of existence, past the infinite opaque horizon, so to speak (‘constructive emergence’)***. But still, why do I specifically get to have THIS consciousness, in THIS body, at this time? What did I do to deserve to exist? Are there souls in limbo that pay money for the chance to inhabit a consciousness in our universe? Perhaps a lottery? How many don’t get to exist? Is there possibly just one soul that inhabits every consciousness, being born again as a new human at a random time period every time death ends its current body? When you really try to confront the absurdity of why we are something rather than nothing, it makes sense that this universe is some sort of creation, or simulation. 


From where this creation comes, does not necessarily have any traits, values, or beliefs that we can recognize. Our minds are only capable of understanding phenomena inside this universe, with our flesh brains, bound by things like cause-and-effect, space, and time for both operation and understanding. So almost by definition, we cannot truly grasp what is outside this universe, or what caused it. The terms themselves, ‘outside’ and ‘cause’ are again part of the boundaries of this universe, so they might not apply to what is beyond it (Kant makes this argument for his proposal of agnosticism over theism when he destroys Descartes…the most rational stance with respect to atheism vs theism is simply that ‘we cannot know’). How supremely boring would it be, if the afterlife (as in some of the Abrahamic religions) contained sensations and values familiar to this world? To find out that this is all there was, that causality and space and time weren’t just specific to this world but to all realities, and that the gods actually cared about whether we followed our secular values, which are somewhat driven by the contingent animal instincts we are born with. It would make way more sense if the reality outside of this one was something radically incomprehensible relative to this universe, and the tools we have for understanding it (space/time/causality).


In addition to constructive emergence***, subtractive emergence is an appealing way to explain consciousness.  That whatever this other reality (or non-reality) is, it is somehow blocking my universality, or ‘mind at large,’ which leads to this quaint, inexplicable sensation of ‘self’ inside a specific body without any other explanation/information. Huxley himself noted that the mind-at-large is some sort of omnipresent/omniscient awareness, and the point of the nervous system is to filter down your mind-at-large to a specific body and locality, for survival purposes. If you were able to perceive your complete mind at large, you would never strive to preserve your body. It is for your own good to filter it down.  What appeals to me about this idea is it starts to capture the surreal-ness of existence discussed above. And it runs opposite to constructive emergence. It treats the nervous system as subtractive rather than generative of experience. But it serves the same purpose, and captures the same mood. 


It is this mood—of astonishment at the absurdity of the self, of why there is something rather than nothing—that motivates the story concepts below. 


*** (constructive emergence) These concepts—how the mystery of Being lies BENEATH this opaque, seemingly infinite horizon of understanding, and how consciousness emerges from the chaos of neuro-processes as a separate tier of existence, warrant a bit of explanation, and are tied into each other. To get more familiar with this, we will pivot to the pilot-wave explanation of quantum mechanics (specifically the double-split experiment which shows that the electron behaves as both a wave and particle, and sort of changes its story based on how you measure it). The current Copenhagen interpretation kind of sucks because it states that an electron is both a wave and a particle, and that by measuring it, it ‘becomes’ one or the other. It does not identify the point of mystery, and simply ASSERTS something completely absurd and untenable. Pilot-wave and chaos theory do a much better job in my opinion—it starts very deterministic and tenable, and then with chaos theory we identify a sort of infinite and opaque horizon BEYOND which the weird behavior of the electron emerges. Similar to consciousness, and probably Being. Basically, think of the electron as a pebble hopping along in a pond. We are deterministic, simple, and clear at this point. Each time it hops, it creates ripples, and those ripples will influence its future trajectory. It’s future trajectory also creates more ripples which interact with the previous ripples, causing this feedback loop that gets very complex very fast. After enough hops—and this is where chaos theory comes in—it becomes MATHEMATICALLY intractable to know exactly where the electron/pebble will be anymore, because of the insane amount of recursive influence that is going on between the hops and ripples. Now, we are no longer simple and clear, things have gotten intractable. This electron/pebble emerges on the other side of this point as “not having a specific position,” but more a probability of positions, from a mathematical perspective. It contains properties of a particle—because it is one—but also waves, because of all the ripples. And based on how we look at it, it can be either. Isn’t this beautiful? We don’t just STATE that it’s a superposition of particle and wave, of various states. We start with a clear situation that gets muddled and intractable after a while, and the electron EMERGES past that point as a trippy superposition. In between these points (clear vs trippy) is the “infinite, opaque horizon.” And I think it’s instructive to consider that consciousness, Being, the self, the emergebnce of life from matter, and other inexplicable mysteries of experience also emerge past the infinite opaque horizon in a similar way. It allows room for things like “having free will in a deterministic universe.” The universe is deterministic, but YOU emerge on the other side of that infinite opaque horizon, and have free will. There’s even a mathematical proof somewhere that asserts that even accepting a deterministic universe, there is no way one could completely predict the outcomes of the universe from within this universe, due to the complexity. Potentially you could from “outside” this universe, whatever that could mean. And here we’ve come full circle to the absurdity of the self and its implication of some greater metaphysical reality. 


Stories: “It makes way more sense that way”


Story 1—The universe makes more sense backwards

You must have heard that “hydrogen is a colorless gas that, given enough time, becomes aware of itself.” Trippy, right? Its a clever quote which captures the mind-boggling nature of life and consciousness, that life merely emerged from matter, because “rules.” First of all you have atoms that physically interact based on specific rules. If you shine light (provide energy) on these atoms, specifically carbon, hydrogen, and oxygen, they will jiggle with each other and eventually pair up to create amino acids. These amino acids, with more energy, will jiggle to make proteins, and this jiggling dance of proteins and atoms and amino acids in the presence of water and light starts to traverse our patented “infinite and opaque horizon.” On the other side of this horizon you have the creation of this thing called the “cell wall,” where some proteins/organelles literally wall themselves off from others and say “we are separate from the rest, we are an automata, a unique agency!!” Once you have cells, you have life. It’s insanely absurd to think about, even as you have all the pieces in front of you. The rules of physics already existed, and just HAPPENED to be so that MY BEING came out of these atoms + rules? Fat chance. It makes way more sense to think that some greater being STARTED with life, this gorgeous self-replicating construct, and started deconstructing it into cells, proteins etc, and naming the rules of physics as they did this deconstruction. Once they got all the way to the end—bare atoms/energy and laws of physics—they decided to press the “rewind” button. Our universe, as we know and experience it, is that rewind. And we’ve now passed the point of cells, the point that was already designed beforehand, and crazy undesigned things have now emerged from that rewind, things like HUMANS and CONSCIOUSNESS. THATS why it’s so absurd. THATS why none of this makes any sense. No one knows what lies ahead, not even the gods. We’ve passed the infinite opaque horizon.  A good question after this story is written might be: Why did some dude make this universe and play it backwards? Well, that warrants a second story.


Story 2—We are the TIME-DEATH universe here to make genes

I think—and this is completely wrong because I’m personifying gods with my own values and beliefs—there could be gods somewhere who are using this universe as a way to get something they want. And I think that thing is genes. In the same way one cannot predict the final state of three bodies orbiting each other, but must simulate them, we are a simulation to get the gods something that they were unable to get analytically. They wanted some kind of algorithm that would be very valuable, that would serve as the optimal formulation of what I can only describe as “survival.” But they couldn’t solve it mathematically. So they created a universe with two major concepts—TIME and LIFE/DEATH. There would be beings in this universe (organisms) that experienced something called death, which would be the demise of the beings. But the beings could also reproduce new offspring and keep dying over and over again, and in each iteration they would refine their mini-codes (genes) in response to death. These iterations are called TIME, and the self-reproducing ability of the beings is what we know as LIFE. Once the simulation had life, death, and time, the gods had everything they needed to run it. The beings would eventually start refining genes over and over again, making them better, more elegant, and perfectly attuned to this thing called survival each time they died. Our universe is that simulation. It makes way more sense to me that our universe is that simulation than saying that this just “appeared” from a “bang” (thanks science). At the end of TIME, the gods will pluck the best genes from this universe and move on.


In conclusion, genes are not here to enhance us, we are here to refine them. It makes way more sense that way.


Story 3—The gods were bored watching the gene simulation, and decided to INHABIT it.

Now the gods, watching this simulation from above, outside of time and space, were bored as heck. And they thought of something interesting—wouldn’t it be cool if we inhabited this TIME-DEATH universe for a bit? We could just sort of hover over the brains of the beings, experiencing their emotions and physicalities, and they wouldn’t know what the hell was going on, they would just call it “consciousness” and be unable to explain it (Descartes noted that he knew God existed because consciousness had some strange element of perfection in it that could only be from God). The rules are that we cannot have any knowledge of the fact that we are timeless gods, that gets filtered out by the nervous system (Huxley!). This way, we’ll get to authentically experience time and death, and for once, NOT feel bored. We’ll also equip consciousness with this insatiable need for purpose and explanation, in a world without purpose or explanation. This would provide the necessary tension to attempt the impossible and transcend ourselves. We would be terrified of death, and would live poetic lives in a desperate attempt to rebel against the futility of it (Camus). We would create beautiful things like love, which could only emerge from a timeless god inhabiting an animal doomed toward death without any knowledge that it was a timeless god. Once we approached this terrible thing called death, and passed it, we would wake back up as the gods we were, exiting the simulation, while the other gods would be laughing at us for being “so scared of death lol I can’t believe you thought there was no explanation and everything just ended in void LOL!!”

I hope these stories help capture the insane, absurd nature of experiencing a “self” in this unexplained world. Maybe someone will write them. Then we can bury it in the ground and people in a few centuries will find it and start a religion or whatever. 

Monday, April 9, 2018

Donnie Darko: Holiness through Fatalism in a Post-Religious Era

Summary: I think one of the lesser-discussed messages behind Donnie Darko is: We can replace God with a romantic notion of universal fatalism.
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"Donnie wakes up in his bed laughing after dreaming some of the events within the TU. He then goes back to sleep seemingly content with life now. The experience has seemingly brought him closer to God and he is no longer afraid to die. The jet engine Donnie sent through the time portal now falls into his bedroom killing him."

Easily the best movie of all time.

The greatest thing about Donnie Darko is that it uses fatalism to add a holiness to existence in a post religious society. And it does this in so many ways, through the directing, and a masterfully crafted plot that exists on many layers, somehow still haunting the user with this holiness on each one. It evokes one with the eerie but infinite astonishment about the world that Heidegger characterizes as fundamental to Dasein. Like a fascination with your very existence in the world, as a self at this time and place for no apparent reason. In this case it is evoked by playing with the meaning of your story in the universe through manipulations with time and choice that can imbue a weird sense of destiny on everyday living. One must ask: why does Donnie die laughing?

the story exists on two levels
1.
i think from just watching it, without seeing the director's cut or anything, you see a guy who falls into a horrible series of events

and is questioning death and being alone, and having issues with that

and goes through a series of events and seems to understand something, or realize something
especially after the series of events is so pointedly terrible (like the universe is sending him a message), and occurring in this dreamlike sequence
and when he wakes up, back at the beginning of it all
he sacrifices himself so all those bad things dont happen to everyone
and he goes happily, feeling that there is some greater sort of timeline, a holier connection with the universe and his story as he had hoped for. the universe "spoke," so to speak.
and that evokes this notion that he is "closer to god so more okay with dying," which is something that every human ultimately wants. It's harder and more evasive to get in a post-religious era, and that's why Donnie Darko is mysterious and evasive itself at times. But it allows for that possibility using the story of your life in the place of the story of humanity, no greater deity needed...after all, he could have dreamt the whole thing. But it's this notion of fatalism that, through backward time travel from the end of your life, breaths meaning onto your present.


2.
the second layer is when u actually learn the philosophy of time book that this is based off of, and realize theres a structure and ruleset to everything thats happening
at the start they break into a tangent universe, and the universe is doomed
donnie is the chosen one, and his goal is to return the extra engine that dropped on top of his house
and everyone in that tangent universe is subconsciously guiding him to send that extra engine out of the universe so it can collapse safely, without forming a black hole. It's incredible how every single interaction in that movie is meant to lead Donnie to his destiny, it gives a powerful sense of purpose to every human interaction he has, one that the viewer feels even if he doesn't know about this deeper layer to the plot, probably from the incredible visual directing and acting.

 And it is from this beautiful perspective we can derive a sort of fatalistic maxim to live one's life in a post moral and religious society: we dont need god: just treat everyone in a way that they are subconsciously guiding you toward a fate to save the universe. This notion of a "meant timeline," and of a mysterious force leading the humans you interact with to guide you to your Great Task, ultimately death--but one in which you are happy to go, is a beautiful way to look at your life, and it's why Donnie laughs in his last moments--one must imagine Sisyphus happy. While it literally happens to Donnie, I really think this is just a metaphor for life--a tangent universe that you explore until you happily accept your fate. Follow the queues of your fellow humans--all interactions holy.


And as a follow-up, you could even interpret this without the force! The laugh works on so many levels, and even the most bare (which may make it the most powerful, existentially), where he basically realizes his fate as the Living Receiver and is brought into a feeling of holy communion with the universe (think Stranger from Camus), and even though he doesn't need to die--since the airplane wing has already been returned the primary universe is now restored and he can choose whether to go or not--he is okay with dying, because his role as the living receiver is even greater in death, and he sort of realizes that its all about choosing your story, and punctuating your fate on The Timeline, and laughs in those last moments.

Saturday, April 7, 2018

The Correlation Between Philosophy and Politics

Part 1
One of Heideggers ideas is this idea of the Gay man. Where like the truly free man has recognized his condition and that he will never be fulfilled in this higher sense, and this gives him a radical freedom and unshakeable joy
Now, what the gay man does need not change, but it’s how he does it
He no longer expects a permanent fulfillment from his projects, he just does them for the sake of doing them
Now, it’s important to note here that the gay man does not drop his projects, because if he did it would be like admitting that he expected meaning out of them and got disappointed
He simply “sticks to things without getting stuck to them”
So I was thinking about how heidegger uses the specific term “projects” here
Camus has an almost identical formulation
Where he’s like should I kill myself or drink a cup of coffee
Aka once you confront the absurd, the futility of the world doesn’t actually direct you to kill yourself, it’s just one option among many
And in fact using that as an excuse to kill yourself would NOT indicate a confrontation w the absurd, since it implies that you were “disappointed” by the futility and therefore assign value to it
It’s the same point, but much more coldly and rawly stated, and he doesn’t use the term “projects”
It’s almost like Heideggers is more obviously a state brainwashing tactic
Where the goal is to convince disillusioned youths to not drop their projects but still gave value to their depression
But still give*
And you can make an argument that Sartre and Camus were doing this for the left, and H was doing it for the right
And on top of that, Sartre and Camus had complementary shortcomings
Camus was a poet of life who wished he had more pull w the academic community
Sartre had the whole community at his feet but always lamented not being able to use words with the right type of sincerity and passion (poetry)
Heidegger had both in one package, an analytically sound but still poetic-passionate view of man
I wonder if you can correlate this philosophical victory to the rise of the fascist right at that time...
Both of them were using existentialism to appeal to depressed youth, just for different sides.
I wonder if this is happening now with the victory of Sloterdijk…
That’s the first major point.


Part 2
The second part of this meditation: its interesting when you connect this to our other discussions on sort of, the role of certain philosophical concepts and propagation of them in grooming fascist tendencies to take over.
Wherein, we frame it as, certain types of thought, having to do with void, failure of liberalism, return to the tribe/myth, secrets of the unconscious, self-reliance, etc tend to fuel of rise of fascism in the country they are propagated
But in the existentialism case, the same concepts were being used to fuel both sides of the political spectrum!
So maybe this DOES imply a non-correlation between Phil concepts and their political consequences
It’s just how they’re marketed and who they’re marketed to that makes the difference

Part 3
Now, on first glance, you might think that this sort of allows us to hate on Heidegger for being a Nazi without burying his ideas; he just marketed great ideas for a bad cause (let's say intentionally or unintentionally for now, thats a different discussion). 

BUT, then you can argue "okay, doesn't that imply that heidegger's ideas, in his formulation, are still marketed towards bad things, and therefore his writings, as written, are bad?"
Which leads to the question: How do we distinguish his concepts from his framing of them?
Ironic, because this struggle between the framing of beings and the Being of them is an issue he really worked through.

It also leads to the question "can one just preach philosophy in a vacuum?"
is it always inherently directed at a political audience, with its own ideology, even if the author doesn't intend it?
Is philosophy a scalar or a vector?

If this leads you to think "well, the author has his intentions, but after he writes it, the book becomes its own new thing since hermeneutics and transcendent idealism etc etc." then I challenge you yet another time: this would imply that camus or sartres formulation of existentialism, having similar concepts to Being and Time but marketed to the more inclusive Left, is the "good" version of the text. But then, why is Being and Time the preferred version that's still used as the canon, by a mile? Clearly its content goes above and beyond its marketed political effect... and a second challenge on that, wouldn't this be like saying that the Bible was a better version of reality than Epicurious' much more accurate account of reality at the time, because the Bible placated the masses and led to less violence, aka had better political consequences?

Friday, April 6, 2018

The Reversed Role of Modern Working Art: Pulling Us Out of the Void

pre WW2, the goal of working art was to unconceal the earth from underneath us, and present it as such
for example painting obscene pictures of naked old people, because no one likes thinking about that, its hidden from our daily life, we push it away
its a concealed earth that we walk on and are oblivious too and rely on its concealment in order to maintain comfort
and this is heideggers definition of working art, and it makes sense
and i think in his era, the important thing to do (a la deconstruction) was pull people out of the romantic and into the void that they were repressing
romantic/classical, depending on whether you were religious or technical etc
but in any case the "earth" in this case was the uncomfortable void that everyone was ignoring
and people more or less do the same thing today, but what if its the opposite?
we've confronted the absurd formally ever since camus/sartre, and have been DEFAULT in the void
so working art is now about pulling us out of the absurd and back into the romantic
reminding us that feelings are still real, and things DO matter, even though we dont want to admit it
this meditation was inspired by this track:

Wednesday, February 1, 2012

A very cheeky symbiosis.

(2:35:30 PM) matteoplix: http://en.wikipedia.org/wiki/Earthship
(2:35:31 PM) matteoplix: BOOM
(2:44:34 PM) bboyamir: SICK
(2:45:22 PM) matteoplix: i went in one
(2:45:24 PM) matteoplix: soooo cool
(2:45:30 PM) bboyamir: OH really!
(2:45:38 PM) bboyamir: in mexico?
(2:45:39 PM) matteoplix: yup in new mexico
(2:45:41 PM) bboyamir: new
(2:45:45 PM) bboyamir: damn thats tight
(2:45:50 PM) matteoplix: was sick nasty
(2:45:58 PM) matteoplix: it was so cool inside despite the temperatures
(2:46:01 PM) matteoplix: no ac
(2:46:42 PM) bboyamir: see like
(2:46:45 PM) bboyamir: technology and nuclear energy
(2:46:49 PM) bboyamir: thats us DOMINATING nature
(2:46:55 PM) bboyamir: but these earthships
(2:47:00 PM) bboyamir: thats us like smirking at nature
(2:47:05 PM) bboyamir: and i kind of like that attitude more
(2:47:09 PM) matteoplix: yeah
(2:47:09 PM) bboyamir: windmills too
(2:47:12 PM) matteoplix: like hey , i see u
(2:47:15 PM) matteoplix: nature
(2:47:22 PM) matteoplix: very cheeky symbiosis
(2:47:25 PM) bboyamir: hahahah
(2:47:34 PM) matteoplix: thats the way it needs to be
(2:47:39 PM) matteoplix: no more raping

What should be our approach to renewable technology? Shall we only focus on the utilitarian end goal, the destination, securing pure energy in the most efficient manner possible, or is the method, the journey, the approach, equally important? Is the world our gas station or our friend?

For more see: Heidegger's "The Question Concerning Technology"

Here is a supplement:

When Heidegger investigates 'the question concerning technology' he is interested in the essence of modern technology, not just any technology; for it is modern technology that poses the problem. Heidegger presents as an example of traditional technology peasant farming. The relationship of the peasants to the land is one of respect: they tend the land, are stewards of the land, cultivating it, synchronized with its patterns, to let the crop develop out of it. Modern technology, however, exploits the land as pure resource, trying to gain the 'maximum yield at minimal expense'. Modern technology challenges the land, or whatever it happens to be exploiting, to yield more. Objects are thus revealed as pure resource. Objects are exploited for all the energy or use they can yield and are left to stand there until they are to be challenged for more use again. For instance, the dam on the Rhine reveals the Rhine as merely a resource for hydroelectric power. Even viewing the Rhine for its beauty has been made into a tourist industry, again exploiting the Rhine as a resource for tourist gratification and photos.

Sunday, November 13, 2011

the digital medium, the next facebook, broomsticks, neo-heidegger


Alright first,

The Digital Medium

  • Three Principles
pretty cool blog, but more cool is its 'three principles'

http://inventingthemedium.wordpress.com/three-principles/

Inventing the Medium is based on three foundational principles:

All things made with electronic bits and computer code belong to a single new medium, the digital medium, with its own unique affordances.

Designing any single artifact within this new medium is part of the broader collective effort of making meaning through the invention and refinement of digital media conventions.

When we expand the meaning-making conventions that make up human culture, we expand our ability to understand the world and to connect with one another.

  • The Next Facebook/Google+
Given this digital medium, we can ask two questions

(1) what makes an internet medium popular?
(2) what makes an internet medium cool?

Clearly facebook encapsulates the answer to 1). But we can note some severe shortcomings to facebook, and why it's not 2) yet:

exhibit a) the social graph
"The funny thing is, no one's really hiding the secret of how to make awesome online communities. Give people something cool to do and a way to talk to each other, moderate a little bit, and your job is done. Games like Eve Online or WoW have developed entire economies on top of what's basically a message board. MetaFilter, Reddit, LiveJournal and SA all started with a couple of buttons and a textfield and have produced some fascinating subcultures. And maybe the purest (!) example is 4chan, a Lord of the Flies community that invents all the stuff you end up sharing elsewhere: image macros, copypasta, rage comics, the lolrus. The data model for 4chan is three fields long - image, timestamp, text.

Now tell me one bit of original culture that's ever come out of Facebook.

Right now the social networking sites occupy a similar position to CompuServe, Prodigy, or AOL in the mid 90's. At that time each company was trying to figure out how to become a mass-market gateway to the Internet. Looking back now, their early attempts look ridiculous and doomed to failure, for we have seen the Web, and we have tasted of the blogroll and the lolcat and found that they were good.

But at the time no one knew what it would feel like to have a big global network. We were all waiting for the Information Superhighway to arrive in our TV set, and meanwhile these big sites were trying to design an online experience from the ground up. Thank God we left ourselves the freedom to blunder into the series of fortuitous decisions that gave us the Web.

My hope is that whatever replaces Facebook and Google+ will look equally inevitable, and that our kids will think we were complete rubes for ever having thrown a sheep or clicked a +1 button. It's just a matter of waiting things out, and leaving ourselves enough freedom to find some interesting, organic, and human ways to bring our social lives online."



exhibit b) m00t on facebook and identity constraint
http://mashable.com/2011/10/18/chris-poole-4chan-web-2/?utm_campaign=Feed:%20Mashable%20(Mashable)&utm_medium=feed&utm_source=feedburner&WT.mc_id=obinsite00000
google+ came out and it was basically the same as facebook in terms of identity and most of us were unimpressed. that's why everyone's still waiting. the new facebook will have to change not just the way we share content (re: google+'s circles), but "who we share it as."

  • Future of Interactive Design
In addition to the new popular digital medium, what does the future of the electronic medium--those devices that access the digital medium--have in store for us?
http://worrydream.com/ABriefRantOnTheFutureOfInteractionDesign/

It better NOT be the ipad.

Next up,
Broomsticks revealed
Just that way of framing the practice: rather than aesthetics, they focused on potent plants that had powers, functional plants, plants that cast spells. that's such a cool way of viewing it. just a different mindset back then. i'm not even going to say the difference back then was a lack of knowledge. just a different mindset.

Neo-Heidegger focused on space
"The book ends, symmetrically, with a meditation on Mary's giving birth to Christ, as an image of the mother-child dyad that brings the reader up to the edge of the Renaissance, when the major spheric disintegration took place once Copernicus et. al. started to question the notion of being encased inside whirling cosmic macrospheres. When those spheres were shattered, all hell, did indeed, break loose, and humanity was set on the path toward Nietzsche's annunciation of the death of God as a disguised cry that the human being now, for the first time ever, faced a gigantic cosmos alone and unprotected by any metaphysical immune system. Hence, the anxieties of the 20th century, its chaos of wars and its profusion of sages, each of whom desperately attempts to offer a pharmaceutical balm to soothe the anxiety of being-in-the-world, as Heidegger put it.

Sloterdijk, indeed, picks up from where Heidegger left off, for it was Heidegger's primary task to situate the lonely philosophical Ego into a specific and very concrete world, where he is always already engaged in doing something, thus putting an end to the subject-object dichotomy that had haunted philosophy since Descartes. Sloterdijk picks up the tradition of embedding the individual in a context by saying that not only is the human already in the world doing something, but he is specifically inside a container of some sort that functions as an extension of the mother womb. He or she is always involved with someone -- even when no one appears to be present -- inside an invisible environment of one ontological sort or another. Ontology, then, is applied immunology."

http://www.amazon.com/Bubbles-Spheres-Microspherology-Semiotext-Foreign/dp/1584351047/ref=sr_1_1?ie=UTF8&qid=1320753177&sr=8-1